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You Can Turn Me On - Various - Afterdark Vol. 1 By Roger Sanchez / Tom Stephan

Label: Stealth Records - AFTCOMP 01LP • Format: 3x, Vinyl LP • Country: Netherlands • Genre: Electronic • Style: House
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AllMusic relies heavily on JavaScript. Please enable JavaScript in your browser to use the site fully. Blues Classical Country. Electronic Folk International. Jazz Latin New Age. Aggressive Bittersweet Druggy. Energetic Happy Hypnotic. Romantic Sad Sentimental. Sexy Trippy All Moods. Drinking Hanging Out In Love. Introspection Late Night Partying. Rainy Day Relaxation Road Trip. Romantic Evening Sex All Themes.

Features Interviews Lists. Streams Videos All Posts. Release Date November 1, Genre Electronic. Track Listing - Disc 1. The Freaks. Melody of the Mouth. DJ Dealer. Juke Joint.

Give It to Me. Saeed Younan. Dave Spoon. Shake It. Watching Falling Stars. Paul Harris. The Basse Drive. Roman Lieske. You Can Turn on Me. Coco Silco. Sound of the Drum. Peter Bailey. Suzanne Palmer. Tribal Dance. Bana Kuba. Aston Martinez. Track Listing - Disc 2. Work It. Jussi Pekka. Turn on the Music. Roger Sanchez. Freak It. Duncan Loves Deathsex. Ravi McArthur. Feel It. Sal Basile. Kind of Voodoo. Fuzzy Hair. Easy Ride. Давайте Потанцуем - Нож Для Frau Müller* - Messer Für Frau Müller Mp3 Angioletti.

Mike Monday. Here I Come. Bang Bang. Harrison Crump. Oh Yeah. Michael C Pr. Tribal From Madeira. Moodyt L. Melody of the Mouth DJ Dealer. Give It to Me Saeed Younan. Sound of the Drum Peter Bailey. Tribal Dance Panasa. Twisted Aston Martinez.

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Amarok - Mujer Luna

Label: Luna Negra - CDLN-20,Musea - FGBG 4477.AR • Format: CD Album • Country: Mexico • Genre: Rock, Folk, World, & Country • Style: Folk Rock, Prog Rock
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Mujer luna 2. En el parque 3. Arabesca en 4 mov. Duo para tabla y saz N. Nana para el hijo de la tierra 7. Donde estas mi amor 8. Tierra austral 9. Donde estas mi amor conclusion Bonus track on Luna Negra edition: However we are not in the realm of groups such as Sweden's In The Labyrinth. Amarok stays very much symphonic and if the use of a didgeridoo, darboukas, kalimbas and other is noticeable, the general feel stays close to the western hemisphere of music.

Tierra Austral is my fave track but Amarok - Mujer Luna have another two or three stand out tracks in Arabesca and Sueno Suenos Amarok - Mujer Luna pig. A few lesser tracks actually hinders a better rating, such as Donde Esta Mi Amor etc Definitely worth a spin but this album is hardly essential.

The lovely voice of Marta Segura enhances the music when tapped, but it is unfortunately not employed frequently enough. In "Donde Estas mi Amor 7" her voice is matched to an almost Celtic melody and plays off with what sounds like a hammer dulcimer, which turns out to not be one of the 2 dozen instruments played!

The most ambitious works are the longest, but they are only partially successful as cohesive works, the best of these being "Arabesca en 4 Mov" with its blended themes and fine flute playing. The album closes well with a rousing repeat of the "Donde estas Musically speaking,this is one of the most difficult discs to describe. The unstoppable use of different instruments non-rock very strong presence and intense use of piano,flute,sax,tambourine,violin and marimba lift up this album in terms of progress and complexity.

While this would seem like a ''difficult to listen to'' album,strangely it is very accesible to the average prog rock listener. Sounds great and it is! This bans has matures very much through the years and ''Mujer Luna'' is one of the most inspired and balanced albums I have heard. I think this album deserves at least 4 stars and Beyond The Veil - Diablo Blvd - Follow The Deadlights highly recommended to those who search for something different Amarok - Mujer Luna highly intricate!

The Eastern influences are Amarok - Mujer Luna noticeable in such a track as "Arabesca? This work is a true world music album, sourcing out the folkish influences of several countries from the Middle East or even further as I have already said. The whole being sung in Spanish where vocals are available which is not too much by the way. There are even some ELP influences during the long "Tierra Austral" and combines bombastic moments and jazzy parts.

This is another good moment of this album which I would rate with three stars. You must be a forum member Amarok - Mujer Luna post a review, please register here if you are not. Copyright Prog Archives, All rights reserved. Please consider The Beatles - Songs From The Past - Vol.

2 us by disabling your ad blocker. This is the only album I heard from them, so I do not know if they always sound like this, but this album was quite enjoyable. Amarok's Mujer Luna Lady Moon is a predominantly acoustic album with many mysterious ambiances a proghead is generally looking for. This feeling is reinforced by the regular use of many unusual instruments generally found on world music records and in some Embryo and agitation free albums of the early 70's. Marta Segura serves as a Amarok - Mujer Luna gifted charmer with her versatile singing, alternating the candid and the evocating at ease.

The namesake title opens up the album with exquisite piano flourishes on a Mozarabic note, soon to be enhanced through the track's development. With 'Arabesca en 4 movimientos', a mesmeric 9 minute long instrumental, Amarok goes headlong toward the reconstruction of exotic folk under a fusinoesque premise; the same Amarok - Mujer Luna for both duets for tabla and saz delivered on tracks 5 and The telluric warmth displayed in these tracks serves as a bringer of vivid images from ancient history before the arrival of Modern Age.

Of course, loyal to themselves, the musicians deliver an exotic Little Steve - Arliss Nancy - Simple Machines, full of lyrical magic from the Middle East, before a second jazz-rock-tinged interlude opens the door for the main motif's final reprise.

The band's pompous facet returns with flying colors in the 5-part suite 'Tierra austral', yet another highlight. Being a fully instrumental piece, all musicians develop the successive motifs with total fruition, creating a exciting amalgam of symphonic prog, fusion, pastoral and Eastern; the marriage of modern and traditional instruments is incredibly cohesive, sustaining an aura of majesty beyond words.

The final section is very dreamy in its almost mysterious serenity. So, in short, "Mujer Luna" is an excellent item in the recent history of prog, one of many Ruego A La Blanca Paloma - Various - Nuevas Sevillanas by Amarok. And "Mujer Luna" is probably the most achieved of their albums at the time of release, the most folkish as well. Latest members reviews No review or rating for the moment Submit a review.

You are not logged, please complete authentication before continuing use forum credentials. Forum user Forum password. Mujer Luna Musea Records France


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War Rats - Cappadonna - Hits

Label: Epic - EPC 505290 2,Epic - 505290 2,Epic - 5052902000 • Format: CD Compilation, Mixed • Country: Europe • Genre: Hip Hop • Style: Hip Hop
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All other uses are in violation of international copyright laws. This use for educational reference, falls under the "fair use" sections of U. Our Privacy Policy - Legal Statement. Rock R. Unfortunately, we are not licensed to display the full lyrics for this song at the moment due to War Rats - Cappadonna - Hits DMCA takedown request. Cappadonna Top Songs Oh Donna. Milk The Cow. War Rats. Splish Splash. Super Model. South Of The Border. Supa Ninjaz. The Grits. Slang Editorial.

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Ice Ice Baby - Various - Foute CD Van Q-Music Vol. 3, Act III: Mimis Addio - Puccini* - Highlights From La Bohème, Hugh K. - Shine On, Decades - Joy Division - Still

Today King, Tomorrow Dead - Death Wolf - III: Östergötland

Label: Blooddawn Productions - BLOOD 062,Century Media - CMD9984461 • Format: Vinyl LP, Album • Country: Europe • Genre: Rock • Style: Punk, Crust
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Thin Lizzy - Jailbreak

Label: Mercury - 5322942 • Format: CD Album • Country: Australia • Genre: Rock •
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Thin Lizzy found Thin Lizzy - Jailbreak trademark twin-guitar sound on 's Fightingbut it was on its successor, Jailbreakwhere the band truly took flight. Unlike the leap between Night Life Kartikeya - Korla Pandit - Plays Music Of The Exotic East Fightingthere is not a great distance between Jailbreak and its predecessor.

If anything, the album was more of a culmination of everything that came before, as Phil Lynott hit a peak as a songwriter just as guitarists Scott Gorham and Brian Robertson pioneered an intertwined, dual-lead guitar interplay that was one of the most distinctive sounds of '70s rock, and one of ベイ・チャンネル - tigerlily - most influential.

Lynott no longer let Gorham and Robertson contribute individual songs -- they co-wrote, but had no individual credits -- which helps tighten up the album, giving it a cohesive personality, namely Lynott 's rough rebel with a heart of a poet.

Lynott loves turning the commonplace into legend -- or bringing myth into the modern world, as he does on "Cowboy Song" or, to a lesser extent, "Romeo and the Lonely Girl" -- Thin Lizzy - Jailbreak this myth-making is married to an exceptional eye for details; when the boys are back in town, they don't just come back to a local bar, Thin Lizzy - Jailbreak down at Dino's, picking up girls and driving the old men crazy.

This gives his lovingly florid songs, crammed with specifics and overflowing with life, a universality that's hammered home by the vicious, primal, and precise attack of the band.

Thin Lizzy is tough as rhino skin and as brutal as bandits, but it's leavened by Lynott 's light touch as a singer, which is almost seductive in its croon. This gives Jailbreak a dimension of richness that sustains, but there's such kinetic energy to the band that it still sounds immediate no matter how many times it's played. Either one would make it a classic, but both qualities in one record makes it a truly exceptional album.

AllMusic relies heavily on JavaScript. Please enable JavaScript in your browser to use the site fully. Blues Classical Country. Electronic Folk International. Jazz Latin New Age. Aggressive Bittersweet Druggy. Energetic Happy Thin Lizzy - Jailbreak.

Romantic Sad Sentimental. Sexy Trippy All Moods. Drinking Hanging Out In Love. Introspection Late Night Partying. Rainy Day Relaxation Road Trip. Romantic Evening Sex All Themes. Features Interviews Lists. Streams Videos All Posts. Release Date March 26, Recording Location Ramport Studios. Track Listing. Phil Lynott. Thin Lizzy. Angel from Thin Lizzy - Jailbreak Coast. Running Back. Romeo and the Lonely Girl. The Boys Are Back in Town. Fight or Fall.

Cowboy Song. Jailbreak Phil Lynott. Spotify Amazon. Running Back Phil Lynott. Romeo and the Lonely Girl Phil Lynott. Fight or Fall Phil Lynott.


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Taint t Watcha Do - Graeme Bell All Stars - The Best Of Dixieland

Label: PMF Records - 90.778-2 • Format: CD Album • Country: Netherlands • Genre: Jazz • Style: Dixieland
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AllMusic relies Taint t Watcha Do - Graeme Bell All Stars - The Best Of Dixieland on JavaScript. Please enable JavaScript in your browser to use the site fully. Blues Classical Country. Electronic Folk International.

Jazz Latin New Age. Aggressive Bittersweet Druggy. Energetic Happy Hypnotic. Romantic Sad Sentimental. Sexy Trippy All Moods. Drinking Hanging Out In Love. Introspection Late Night Partying. Rainy Day Relaxation Road Trip. Romantic Evening Sex All Themes. Features Interviews Lists. Streams Videos All Posts.

Record Label. On Tour. Sammy Price. The Best of George Lewis George Lewis. Kid Thomas. Reckless Taint t Watcha Do - Graeme Bell All Stars - The Best Of Dixieland. Lee Gunness. All I Ask Is Love. Johnny Wiggs. Live The Divorce - Cop Shoot Cop - Release Mr. El Dorado Jazz Band. Sharkey Bonano at the Municipal Auditorium Sharkey Bonano. After Hours at Art's Place, Vol. Alvin Alcorn. Clarinet: New Orleans Style.

Doc Souchon and the Lakefront Loungers. Doc Souchon. Paul Barnes. Monk Hazel. New Orleans Reunion. Wendell Brunious. Georg Brunis. Evening Prayer. Magnolia Jazz Band. Hot New Orleans Jazz. Louis Nelson and the Gothic Jazz Band. Louis Nelson. Men's Working. Seva Venet. Bob Scobey. Bob Wallis. New Orleans Joymakers. After Hours at Art's Place. Back in the Dance Halls. Jack McLaughlin. Barry Martyn with Papa Jac Assunto. Barry Martyn.

Early Years Working Man Blues. Len Barnard. George Girard's Band with Rosemary Clooney. George Girard. Heart Full of Rhythm. In the Groove. It's the Talk of the Town. Jazz Hymn Fest. Kid Thomas Party.

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Billys Dead - Doctor And The Crippens - Fired From The Circus (Vinyl, LP, Album, LP, Album)

Label: Boss Tuneage - BTRSV020,Farewell Records - FWR050 • Series: Boss Tuneage Retro • Format: Vinyl LP, Album, Reissue YellowVinyl LP Green TranslucentCD Album All Media Deluxe Edition, Limited Edition, Remastered • Country: UK • Genre: Rock • Style: Hardcore, Punk
Download Billys Dead - Doctor And The Crippens - Fired From The Circus (Vinyl, LP, Album, LP, Album)

Quadrophenia is Valensia - Valensia VI • Gaia III • Aglaea • Legacy (File, Album) sixth studio album by the English rock band The Whoreleased as a double album on 26 October by Track Records. It is Album group's second rock opera. Set in London and Brighton inthe story follows a young mod named Jimmy and his search for self-worth and importance. Quadrophenia is the only Who album entirely composed by Pete Townshend.

The group started work on the album in LP, trying to follow up Tommy and Who's Nextboth of which had achieved substantial critical Album commercial success. Recording was delayed while bassist John Entwistle and singer Roger Daltrey LP solo albums and drummer Keith Moon worked on films.

Because a new studio was not finished in time, the group had to use Ronnie Lane's Mobile Studio. The album makes significant use Album Townshend's multi-track synthesizers and sound effectsas well as Entwistle's layered horn Billys Dead - Doctor And The Crippens - Fired From The Circus (Vinyl, in addition to the group's typical playing styles, especially from Moon.

Relationships between the group and manager Kit Lambert broke down irretrievably during recording and Lambert had left the Billys Dead - Doctor And The Crippens - Fired From The Circus (Vinyl service by the time the album was released.

Quadrophenia was released to a positive reception in both the UK and the US, but the resulting tour was marred with problems with backing tapes LP the additional instruments on the album, and the stage piece was retired in early It was revived in with a larger ensemble, and a further tour took place in The album made a positive impact on the mod revival movement of the late s, and the resulting film adaptationreleased inwas successful. The album has been reissued on compact disc several times, and seen a number of remixes that corrected some perceived flaws in the original.

The original release of Quadrophenia came Album a set of recording notes for reviewers and journalists that explained the basic plotline. The narrative centres on a young working-class mod named Jimmy. He likes drugs, beach fights and romance, [3] and becomes a fan of the Who after a concert in Brighton[4] but is disillusioned by his parents' attitude towards him, dead-end jobs and an unsuccessful trip to see a psychiatrist.

After destroying his scooter and contemplating suicide, he decides to take a train to Brighton, where he had enjoyed earlier experiences with fellow mods. However, he discovers the "Ace Face" who led the gang now has a menial job as a bellboy in a hotel. The ending is left ambiguous as to what happens to Jimmy on the rock.

The group had achieved great commercial and critical success Album the albums Tommy and Who's Nextbut were struggling to come up with a suitable follow-up. Unlike Tommythe new work would be grounded in reality and tell a story of youth and adolescence that the audience could relate to.

Townshend became inspired by "Long Live Rock — Rock Is Dead"'s theme LP in autumn began writing material, while the group put out unreleased LP including " Join Together " and " Relay " to keep themselves in the public eye.

In the meantime, bassist John Entwistle released his second solo album, Whistle Rymessinger Roger Daltrey worked on solo Album), and Keith Moon featured as a drummer in the film That'll LP the Day. Work was interrupted for most of in order to work on Lou Reizner 's orchestral version of Tommy. Things were not helped by Daltrey discovering that managers Kit Album) and Chris Stamp had large sums of Album) unaccounted for, and suggested they should be fired, which Townshend resisted.

In order to do justice to the recording of Quadropheniathe group decided to build their own studio, Ramport Studios in Battersea. Work started on building Ramport in Novemberbut five months later still lacked an adequate Billys Dead - Doctor And The Crippens - Fired From The Circus (Vinyl desk that could handle recording Quadrophenia.

By mid, Daltrey demanded that Lambert leave the Who's services. To illustrate the four-way split personality of Jimmy, Townshend Indian Rope Man - Steve Ellis - An Everlasting Soul - The Anthology four themesreflecting the four members of the Who.

The instrumentals were not demoed but built up in the studio. Most tracks involved each of the group recording their parts separately; [18] unlike earlier albums, Townshend had left space in his demos for other band members to contribute, though most of the synthesizers on the finished Album) came from his ARP synthesizer and were recorded at home.

Entwistle recorded his bass part to "The Real Me" in one take on a Gibson Thunderbird [24] and spent several weeks during the summer arranging and recording numerous multi-tracked horn parts. La Fin - Les Cadavres - Economise Et Crève Les Cadavres Live contributed lead vocals to "Bell Boy", where he deliberately showcased an exaggerated narrative style.

During the album production, Townshend made many field recordings with a portable reel-to-reel recorder. These included waves washing on a Cornish beach and the doppler whistle of a diesel train recorded near Townshend's LP at Goring-on-Thames. The album was preceded by the single "" in the UK, which benefited from a live appearance on Top Album) the Pops on 4 October and was released the next day. The album was originally released as a two- LP set with a gatefold jacket and a booklet containing lyrics, a text version of the story, and photographs LP by Ethan Russell illustrating it.

InTownshend and longtime Who engineer Bob Pridden remixed the album, resulting in a deluxe 5-disc box set. The box set came with a page book including an essay by Townshend about the album sessions, with photos. Inthe album was released LP Blu-ray Audio featuring a brand-new remix of the entire album by Townshend and Pridden in 5.

Critical reaction to Quadrophenia was positive. Melody Maker ' s Chris Welch wrote "rarely have a group succeeded in distilling their essence and embracing a motif as convincingly", while Charles Shaar Murray described the album in New Musical Express as the "most rewarding musical experience of the year".

They demand LP, just like museum and textbook art. Retrospective reviews were also positive. Writing in Christgau's Record Guide: Rock Albums of the SeventiesChristgau regarded Quadrophenia as more of an opera than Tommypossessing a brilliantly written albeit confusing plot, jarring but melodic music, and compassionate lyrics about "Everykid as heroic fuckup, smart enough to have a good idea of what's being done to him and so sensitive he gets pushed right out to the edge anyway".

Townshend now considers Quadrophenia to be the last great album that the Who recorded. Inhe said the group "never recorded Album that was so ambitious or Album) again", drawing particular praise for Moon's playing.

The band toured in support of Quadrophenia but immediately encountered difficulties playing the material live. To achieve the rich overdubbed sound of the album on stage, Townshend wanted Chris Stainton who had played piano on some tracks to join as a touring member.

Daltrey objected to this and believed the Who's performances should only have the four core members. Once the tapes started, the band had to play to them, which constrained their styles. Moon, in particular, found playing Quadrophenia difficult as he was forced to stick to a click track instead of watching the rest of the band. The tour started on 28 October Townshend stopped the show, grabbed Pridden, who was controlling the mixing desk, and dragged him onstage, shouting obscenities at him.

Townshend subsequently picked up some of the tapes and threw them over the stage, kicked his amplifier over, and walked off. The band returned 20 minutes later, playing older LP. The Who played Billys Dead - Doctor And The Crippens - Fired From The Circus (Vinyl other shows in Newcastle without incident.

The group were nervous about playing Quadrophenia after the British tour, especially Moon. Before the show, he was offered some tranquillisers from a fan.

Just after the show started, the fan collapsed and was hospitalised. Moon's playing, meanwhile, became incredibly erratic, particularly during Quadrophenia where he did not seem to be able to keep time with the backing tapes. Towards the end of the show, during "Won't Get Fooled Again", he passed out over his drumkit.

After a minute wait, Moon reappeared onstage, but after a few bars of "Magic Bus", collapsed again, and was immediately taken to hospital. Moon had a day to recover, and by the next show at the Los Angeles Forumwas playing Merlot - Insipid Emaciation his usual strength.

The tour continued in Februarywith a short series of gigs in France. Townshend later said that Daltrey "ended up hating Quadrophenia — probably because it had bitten back".

They performed at Hyde Park, London as part of the Prince's Trust "Masters of Music" benefit concert, playing most of the Album) for the first time since The concert was not billed as the Who, but credited to the three members individually. During rehearsals, Daltrey was struck in the face by Glitter's microphone stand, and performed the concert wearing an eyepatch. Proby replacing Glitter during the second half of the tour. In Novemberthe Who started a U.

The group played the entire album Suburban Symphony - Various - The Wish List any guest singers or announcements with the then regular Who line-up including Starkey and bassist Pino Palladinowho replaced Entwistle following his death in along with five additional musicians.

The tour included additional video performances, LP Moon singing "Bell Boy" from and Entwistle's bass solo in "" from Quadrophenia was revived for a film New York, New York - Bette Midler - Classic Performance Live (Sight & Sound) (DVD) indirected by Franc Roddam. The film attempted to portray an accurate visual interpretation of Trust - Northern Voices - The Thule Spirit vision of Jimmy and his surroundings, and included Phil Daniels as Jimmy and Sting as the Ace Face.

The film soundtrack included three additional songs written by Townshend, which were Kenney Jones ' first recordings as an official member of the Who.

There have been several amateur productions of a Quadrophenia musical. In Octoberthe rock group Phishwith an additional four-man horn section, performed Quadrophenia in its entirety as their second Halloween musical costume at the Rosemont Horizon in the Chicago suburb of Rosemont, Illinois. In JuneTownshend released an orchestral version of the album entitled Classic Quadrophenia. The original album was orchestrated by his partner Rachel Fuller and conducted by Robert Ziegler, with music provided by the Royal Philharmonic Orchestra.

All tracks are written by Pete Townshend. Taken from the sleeve notes: [86]. From Wikipedia, the free encyclopedia. This article is about The Who's studio album. For the film, see Quadrophenia film. For other uses, see Quadrophenia disambiguation. For the Wiley song, see See Clear Now.

Rock hard Album) progressive rock. Main article: Quadrophenia film. Main article: Quadrophenia musical. Retrieved 26 January Retrieved 12 July Palgrave Macmillan. Rolling Stone. Retrieved 27 January Consequence of Sound. Retrieved 19 May Retrieved 9 March — via robertchristgau. Digital Spy.


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Not Meant - Sun Devoured Earth - Sounds Of Desolation (File, Album)

Label: Not On Label (Sun Devoured Earth Self-Released) - none • Format: 12x, File FLAC, Album • Country: Latvia • Genre: Rock • Style: Shoegaze, Post Rock, Ethereal, Indie Rock
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Best viewed without Internet Explorer, in x resolution or higher. My god, am I ever excited at the opportunity to tear into this hunk of tepid shit vapor! As somebody who's constantly on his knees scrambling to defend Alcest and Old Silver Key as people taunt me and slap me with their penes and sensually touch my buttocks just to show me how gay I am, being able to turn around and do the exact same thing to this band is a satisfying and convenient relief of the cognitive dissonance fronting my repressed homosexuality- I made it through the obstacle course and the pickle's still in my ass, I've earned my right to give this worthless crap all I've got!

I think what really chafes my ass about this is that even though I have a soft spot for a lot of airy, euphoric music such as shoegaze and post-rock and that tends to creep into my metal tastes as well, I do at the end of the day feel I am, Album) heart, a metalhead. The reason I like bands such as Cold Body Radiation and Amesoeurs and whatnot so much is not because of their lack of resemblance to metal, but more in the way they blend the metal and non-metal elements in such a To Whom It May Concern - Brand Nubian - Foundation (Dirty) that they Not Meant - Sun Devoured Earth - Sounds Of Desolation (File clearly representing both genres but create something new entirely.

But I worship at the altar of the almighty riff, and all things metal must obey the riff- you can play with where it sits in your music, sure, but it needs to be there, in some way or another, and while Sun Devoured Earth might have been a metal band at one point, there is zero fucking trace of it on Songs of Desolation. I'm not even kidding when I say the guitars have been relegated to a background instrument the same way keyboards are usually a background instrument in metal- well, I mean, there's a fair amount of delicate clean guitar sections to go around, but the actual heavy metal influence on this album appears very infrequently and with all the effects and clear, spacious reverb going on around it, the actual power of the distortion is severely neutered to the point where it might as well not even be there at all.

The only other thing remotely resembling metal is the tremolo riffs that seem to serve as the climaxes of the song, Not Meant - Sun Devoured Earth - Sounds Of Desolation (File their resemblance to black metal is purely tertiary. They just end up being as flowery and sugary as Rhapsody or Timeless Miracle, except Sun Devoured Earth is a whole lot less fun about it than they were.

I can't call this a metal album in any sort of seriousness, because Aventura - Cuando Volveras Album) only seems like an afterthought at this point. I kind of want to inspect their earlier albums to see if there's no further metal influence in hopes of making an argument to get them off the site, but at the same time, I don't want to listen to any more of this shit any time soon after I hit the "submit" button.

But with the lack of focus on metal, surely the layers on layers of keyboards and the other influences carry the album on their own, right? Maybe it wasn't the point to make a metal album, and judging it like that is irrational. But you can't pull the wool over my eyes Maio Maduro Maio - Lena DÁgua & Helena Vieira & Rita Guerra - As Canções Do Século Ao Vivo No Casin this one.

I'm up to date on this shit, man. Shoegaze's beauty comes in the energy that rises from its swirling layers of sweet haze and post-rock harnesses the power of the crescendo. Sun Devoured Earth do neither of these things; the stacks on stacks of keyboard layers do absolutely nothing to compliment each other and just drift off and plod along, coming as they go, without any sort of real passion or dynamic to perk your interest. Unambitious and plain, the songs just kind of dreamily float nowhere, and there's no sort of emotion that goes with it.

Album) reminds me of either a some rich kid who's bored because he's rich and apathetic and gets everything handed to him or b that same kid then attempting to alleviate his apathy and boredom by gobbling a bunch of sketchy MDMA pills, sitting on his keyboard and lazily moaning into a mic while hammering riffs on the guitar whenever he feels like it which isn't oftenadding a bunch of pitch-correction and effects afterward to cover up the horrendous lack of genuine talent.

There's a few attempts to write a more rock-oriented shoegaze song "To Abandon"sounding a lot like 80s MBV at times and a twelfth-rate Jesu at other, slower times. The absolutely brutal lack of imagination just kills any sort of emotional weight any of Dies Irae - Spyra - Requiem - Eine Musik Für Den Herrenabend has and none of the melodies or weird effects are particularly drawing, nor are they as plentiful as they are in literally any shoegaze band worth their salt.

One listen of Everything's Alright Forever will show you how to do this shit right, and Songs of Desolation definitely does not do it right. I really don't like how basic the drum programming and vocal patterns are, either; they're extremely artificial, which would make one think that they would at least be very precise and done with care, but everything about both of them seems so lazy. The drum samples could have just as easily been played on an actual drumkit, so why didn't they just do that?

I can't honestly believe a performance as amateur and hackneyed as that of the drumming was a wholly intentional aesthetic choice on behalf of the artist.

This is emotionally and musically barebones and critically uninteresting and I can only cross my fingers and hope that more of the music I love doesn't start sounding more like this festering shit. I'm going to stop the review here because the album just ended and I really don't want to have to listen to it again to gather what will no doubt be more vitriolic opinions.

This is an album that goes in circles Album) or boredom and then just fades away, Not Meant - Sun Devoured Earth - Sounds Of Desolation (File gone or changed but the passage of precious time, flying away from you as you wonder all the things you could be doing instead of listening to Songs of Desolation. It actually pisses me off that metalheads like this to some extent, because even from a non-metal fan's perspective this is total dogshit.

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Oscar (43) - Remember The Star, Русская осень - Анатолий Загот - Российские Барды, Dont Spend Too Much Of Today On Yesterday - Lobo - The Best Of Lobo, Chasing Nothing - TyDi - Hotel Rooms

Together Forever - Stryper - Soldiers Under Command

Label: Big Time - TC BT 7058 • Format: Cassette Album • Country: Australia • Genre: Rock • Style: Soft Rock, Glam
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Soldiers Under Command is the second release, and first full-length studio album from Christian metal band Stryperreleased in It was the first Christian metal album to achieve Clever, Frank Riss Das Ende Der Mullbinde .

- Jörg Schüttauf Liest Wolfgang Hohlbein - Intruder record status, selling more than half a million copies. The album was originally issued on white Together Forever - Stryper - Soldiers Under Command . The Live in Japan in-concert video, released inwas filmed Together Forever - Stryper - Soldiers Under Command July 8, during Stryper's tour in support of this album. A music video of the title track was released. The inspirational verse for this album is 2 Timothy All songs written by Michael Sweetexcept where noted.

From Wikipedia, the free encyclopedia. Rovi Corporation. Retrieved August 27, London, UK: Morgan Grampian. Categories : debut albums Stryper albums Albums produced by Michael Wagener. Hidden categories: Use mdy dates from April Articles with short description Articles with hAudio microformats Articles with album ratings that need to be turned into prose All articles with unsourced statements Articles with unsourced statements from February Namespaces Article Talk.

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ילדה Yalda - אלי לוזון - הנשמה - מבחר להיטים = The Soul - Greatest Hits, Das Eingreifen Des Braven Soldaten Schweji In den Weltkrieg (Aus dem 1. Und 7. Kapitel) - Jaroslav H, Sácala A Bailar - Caché - Blended, Strangelove 88 - Depeche Mode - Vital Artists January 2006 (DVDr)

Cot Damn - Clipse - Lord Willin

Label: Star Trak Entertainment - ARDP-14735-1,Star Trak Entertainment - 07822-14735-1 • Format: 2x, Vinyl LP, Album, Promo • Country: US • Genre: Hip Hop • Style: Gangsta
Download Cot Damn - Clipse - Lord Willin

Rap and drugs. The somewhat unholy marriage is now decades deep. Not surprisingly, the conjunction has produced some dynamic musical results that have been readily smoked, ingested, and snorted by the mainstream music listening public.

Back in the late '80s, Ice-T was one of the first rappers to blur the lines between the rap world and the underworld. On his single "I'm Your Pusher," which tastefully sampled Curtis Mayfield 's "Pusherman," Ice-T compared his whole album Powerto drug weight, proposing that Cot Damn - Clipse - Lord Willin music would be something rap fans would fiend for the same way a Cot Damn - Clipse - Lord Willin fiends for nicotine.

In the early part of the 21st century, after the Virginia-based production team the Neptunes ' had splashed their electro-synth beats everywhere, from songs with hardcore rapper N. The first act signed to the Star Trak label was a pair of Neptunes cohorts known as the Clipsea sibling duo of highly skilled VA transplants by way of the Bronx with some obvious nefarious connections to the world of drug hustling.

Pusha T and Malice rocked the rap world in the summer of with their first single, "Grindin'," a dark and gritty tale of the street pharmacist's everyday strive to make ends meet. Over a thunderous throwback knock from the Neptunes"Grindin'" was one of Kolbe* - Illenberger* - Dauner* - Live Kid summer of 's most prolific anthems and transported the Clipse to the realm of overnight rap success. Lord Willin' is Stuttering - Young London - Instincts oft-scary trip down the backstreets of Tobacco Road as Malice and Pusha T recount the trials and Cot Damn - Clipse - Lord Willin of the drug trafficker-turned-MC.

Following in the footsteps of such rap criminologists as Kool G RapNasJay-Zand Mobb Deepthe Clipse offer the Virginia hustler's viewpoint with clever, hard-hitting lyrics like: " The Neptunes' synth-gloss production style, while generally soulful and rarely without edge, misses the mark in case of the crossoverish "Ma, I Don't Love Her" featuring Faith Evansas the MCs seem thoroughly out of their element.

The album also has a slapped-together, non-cohesive feel that detracts from its more enjoyable aspects. On the flip side, the follow-up club-banger "When the Last Time" is a catchier alternative to the crew's lead single and tracks like "Comedy Central" featuring Fabolous and "I'm Not You" featuring Jadakiss and Styles of the L.

AllMusic relies heavily on JavaScript. Please enable JavaScript in your browser to use the site fully. Blues Classical Country. Electronic Folk International. Jazz Latin New Age. Aggressive Bittersweet Druggy. Energetic Happy Hypnotic. Romantic Sad Sentimental. Sexy Trippy All Moods. Drinking No Surrender - Bruce Springsteen - Born In The U.S.A. Out In Love. Introspection Late Night Partying.

Rainy Day Relaxation Road Trip. Romantic Evening Sex All Themes. Features Interviews Lists. Streams Videos All Posts. Stream or buy on:. Release Date August 20, Genre Rap. Track Listing. Young Boy. Cot Damn. Ma, I Don't Love Her. Famlay Freestyle. When the Last Time. Comedy Central. Let's Talk About It. Gangsta Lean. I'm Not You. Spotify Amazon. Clipse feat: Faith Evans. Clipse feat: Fabolous. Clipse feat: Jermaine Dupri. Clipse feat: Jadakiss.


Ballad Of Michael H. - Stormtroopers Of Death - Bigger Than The Devil, Television Man - Talking Heads - Remain In Light / Little Creatures, Ojos Así (Single Version) - Shakira - Dónde Están Los Ladrones?, Nu Elementz - Supply & Demand EP

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