Label: MCA Records - MCAD 10710,MCA Records - DIDY 019004 • Format: CD Album • Country: US • Genre: Blues • Style: Modern Electric Blues
It is a slow twelve-bar blues performed in the West Coast blues -style that features Walker's smooth, plaintive vocal and distinctive guitar work. As well as becoming a record chart hit init inspired B. King Alan Rogers - From Rags To Riches others to take up the Call It Stormy Monday - B.B.
King - Blues Summit guitar. InBobby "Blue" Bland further popularized the song with an appearance in the pop record charts. Bland introduced a new arrangement with chord substitutionswhich was later used in many subsequent renditions.
His version also incorrectly used the title "Stormy Monday Blues", which was copied and resulted in royalties being paid to songwriters other than Walker. The Allman Brothers Band recorded an extended version Bepo, Vrati Se - Kud Idijoti - Gratis Hits Live! their first live album inwith additional changes to the arrangement.
Through the album's popularity and the group's concert performances, they brought "Stormy Monday" to the attention of rock audiences. As well as being necessary for blues musicians, it is also found in the repertoires of many jazz, soul, pop, and rock performers.
Library of Congress' National Recording Registry. T-Bone Walker was one of the earliest musicians to use the electric guitar. Meanwhile, " Stormy Monday Blues ", a jazz single by Earl Hines and His Orchestra with Billy Eckstine on vocals had become a number one hit on Billboard magazine's Harlem Hit Parade chart in and also reached number 23 in the magazine's pop chart.
In an interview, Walker claimed that he recorded the song in "just before the war" the U. The style, as heard in " Driftin' Blues " one of the biggest hits of the s evokes a more intimate musical setting than the prevailing jump-blues dance-hall style. Author Aaron Stang explained: "The real sound of this riff is based on starting each 9th chord a whole step 2 frets above and sliding down.
If we were to analyze this movement, the first chord is technically a 13th chord resolving down to a 9th chord". The guitar chord line, it's a little guitar ninth chord figure. That was a unique thing and it became T-Bone's signature. And that Call It Stormy Monday - B.B. King - Blues Summit line seems to have grabbed everybody because everybody plays it with that line in it. And it's almost like a law, that you have to, when you play 'Stormy Monday.
Walker also plays twelve bars of single-string guitar solo, which writer Lenny Carlson has described as "remain[ing] largely in the middle register, but it contains some gems, particularly in the use of space, phrasing, and melodic development". The mood improves by Friday, when "the eagle flies", a metaphor for payday, which allows for carousing on Saturday.
Walker made several different studio and live recordings of the song for various record companies during his career. National Recording Preservation Board selected the song in for inclusion in the Library of Congress ' National Recording Call It Stormy Monday - B.B.
King - Blues Summit of "sound recordings that are culturally, historically or aesthetically significant". King has stated that "Stormy Monday" inspired him to begin playing electric guitar: . My greatest musical debt is to T-Bone Yes, Lord! The first line, the first thrilling notes, the first sound of his guitar, and the attitude in his voice was riveting. I especially loved 'Stormy Monday'—and I still sing it today.
According to music journalist Charles Shaar Murray, other musicians similarly inspired to take up the electric guitar upon hearing Walker's song include Clarence "Gatemouth" BrownLowell Fulsonand Albert King.
Confusingly, it is also sometimes referred to as "Stormy Monday Blues", the same title as the song by Billy Eckstine and Earl Hines. According to T-Bone Walker, he specifically gave his song the longer name to set it apart. Walker blamed Duke Records owner Don Robey for giving it the wrong title for his artists, including Bobby Bland's rendition, which appeared as "Stormy Monday Blues".
American soul blues singer Bobby Bland recorded his interpretation of the song in Nashville, Tennessee, in Septemberduring the same session that produced the song, " Turn On Your Love Light ". We had already finished the album, and Bobby [Bland] said, 'Hey, man, I want to do that tune.
Let's do that tune, just for me'. We said, 'Okay', and we sat there and did it, just the rhythm section. I think it was two takes.
Wayne Bennettthe guitar player, wanted to change something. Hamp Simmons out of Houston played an old Kay electric bass. Rather than copy Walker's arrangement, Bland felt he had to do something different with the song. This minor-chord progression had been used in several of Bland's songs, including his breakthrough number " Farther Up the Road ", and is found in many subsequent renditions of "Stormy Monday".
Additionally, they substituted the V 9 chord in bar 10 with a IVmin 7 and the one in bar 12 with a V aug. The instrumentation of the song is typical of the group, consisting of vocals, two electric guitars, bass guitar, organ, and drums. His rendering of the song as an uptempo, jazz-influenced piece evokes a recording by Lou Rawls that was included on Rawls' Stormy Monday album with Les Call It Stormy Monday - B.B.
King - Blues Summit. From Wikipedia, the free encyclopedia. Blues standard written by T-Bone Walker. For other uses, see Stormy Monday disambiguation. T-Bone Walker. Los Angeles: Rhino Records. R2 Encyclopedia of the Blues. Fayetteville, Arkansas: University of Arkansas Press. Oakland, California: University of California Press. London: Quantum Publishing. In Erlewine, Michael ed.
All Music Guide to the Blues. San Francisco: Miller Freeman Books. New York City: Routledge. Charles Brown. Hollywood, California: Aladdin Records. Los Angeles: Alfred Music. NPR Music. Retrieved April 21, In Komara, Edward ed. Retrieved October 19, Menomonee Falls, Wisconsin: Record Research. April 30, June 11, Retrieved April 23, New York City: Atlantic Records. Back cover. The Blues Foundation. Retrieved February 9, BluesWay Records. Archived from the original on January 22, Retrieved October 21, Rock and Roll Hall of Fame.
Archived from the original on May 2, Library of Congress. San Francisco: Backbeat Books. New York City: St. Martin's Press.
Glades Records. Soul of the Man: Bobby "Blue" Bland. Jackson, Mississippi: University Press of Mississippi. Skydog: The Duane Allman Story. The Allman Brothers Band. Nashville, Tennessee: Capricorn Records. Introducing Jazz for the Rock Guitarist. Southern Soul-Blues. Champaign, Illinois: University of Illinois Press.
Retrieved April 24, Retrieved Why Me, Lord - The Sellwoods - Show Me My Saviour 8, Bobby Bland.
Two Steps from the Blues Here's the Man! Together for the First Time Live Bobby Bland and B. King Together Again